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The graphics of Josef Müller-Brockmann graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zürich or the Automobile Club of Switzerland follow strict functional criteria–and yet exhibit a variety of design solutions and exciting, dynamic compositions.
Edited by Bettina Richter with an essay by Catherine de Smet. Published by Museum für Gestaltung Zürich with Lars Müller in 2014. Paperback, measures 9.5 x 6.5 inches, 96 pages. ISBN 9783037783924
